Every story needs a villain. This seminar explores the figure of Satan and the concept of the demonic in American theology, history, and art over five centuries. Satan has always been about much more than theological notions of sin and transgression, serving as a tool for invoking perceived threats and for marginalizing political, racial, and cultural others. Some, on the other hand, have embraced the character of Satan to liberatory or comedic effect. Looking at sources both scholarly and artistic, we will attempt to assess the stakes of "demonic" rhetoric and take the measure of the most despised major player in American religious history.