How does stone become sacred, or lumber enlivened? Where is the Buddha Body in a decorated sutra? Why were so many ink paintings produced in the name of Zen, which declares images unnecessary? This seminar examines the history of Buddhist art-making and visualization practices from the earliest representations of the Buddha to the curatorial practices of modern museums. We foreground sensorial qualities and modes of making as we investigate the roles of aura, iconicity, and (in)visibility in the lives of efficacious objects. The class includes field trips to collections on campus and beyond to examine original works of art.