This course will trace the history of black gospel music from its origins in the American South to its modern origins in 1930s Chicago and into the 1990s mainstream. Critically analyzing various compositions and the artists that performed them, we will explore the ways the music has reflected and reproached the extant cultural climate. We will be particularly concerned with the four major historical eras from which black gospel music developed: the slave era; Reconstruction; the Great Migration, and the era of Civil Rights.

This course will trace the history of black gospel music from its origins in the American South to its modern origins in 1930s Chicago and into the 1990s mainstream. Critically analyzing various compositions and the artists that performed them, we will explore the ways the music has reflected and reproached the extant cultural climate. We will be particularly concerned with the four major historical eras from which black gospel music developed: the slave era; Reconstruction; the Great Migration, and the era of Civil Rights.

The Virgin Mary is the world's most storied person. Countless tales have been told about the miracles she has performed for the faithful who call upon her. Although many assume that African literature was only oral, not written, until the arrival of Europeans, Africans began writing stories about her by 1200 CE in the languages of Ethiopic, Coptic, & Arabic. This course explores this body of medieval African literature and paintings, preserved in African Christian monasteries, studying their themes of healing, reparative justice, & personal ethics in a violent world. It develops skills in the digital humanities & comparative literary studies.

This course will analyze the narrative accounts of African American women since the nineteenth century. Working from the hypothesis that religious metaphor and symbolism have figured prominently in black women's writing (& writing about black women) across literary genres, we will explore the various ways black women have used their narratives not only to disclose the intimacies of their religious faith, but also to understand and to critique their social context. We will discuss the themes, institutions, and structures that have traditionally shaped black women's experiences, as well as the theologies black women have developed in response.

This course will analyze the narrative accounts of African American women since the nineteenth century. Working from the hypothesis that religious metaphor and symbolism have figured prominently in Black women's writing (& writing about Black women) across literary genres, we will explore the various ways Black women have used their narratives not only to disclose the intimacies of their religious faith, but also to understand and to critique their social context. We will discuss the themes, institutions, and structures that have traditionally shaped Black women's experiences, as well as the theologies Black women have developed in response.

This course examines the various pieties of the Black Power Era. We chart the explicit and implicit utopian visions of the politics of the period that, at once, criticized established Black religious institutions and articulated alternative ways of imagining salvation. We also explore the attempt by Black theologians to translate the prophetic Black church tradition into the idiom of Black power. We aim to keep in view the significance of the Black Power era for understanding the changing role and place of Black religion in Black public life.

Sexuality has long been a contested and contentious issue within American religions, yet only recently have scholars and practitioners begun to forthrightly address it. This course will explore the emerging literature on sexuality and religion as a way to understand how approaches to sex and sexuality within "sacred spaces" have shaped private behavior and public opinion. We will give particular attention to American Evangelical and Catholic religious expressions for the way they have been especially influential in framing (and inhibiting) sexual discourse and practices in the US and throughout the world.

Sexuality has long been a contested and contentious issue within most American religions, yet only recently have scholars begun to address it forthrightly. This course will explore the emerging literature on sexuality and religion as a way to understand how approaches to sex and sexuality within "sacred spaces" have shaped private behavior and public opinion. We will give particular attention to African American religious traditions, American evangelicalism, and Catholicism more broadly for the way they have been especially influential in framing (and inhibiting) sexual discourse and practices within the United States.

This course will explore the various meanings of The Great Migration and mobility found in 20th century African American literature. Through careful historical and literary analysis, we will examine the significant impact migration has had on African American writers and the ways it has framed their literary representations of modern Black life.

This course will explore the various meanings of The Great Migration and mobility found in 20th century African American literature. Through careful historical and literary analysis, we will examine the significant impact migration has had on African American writers and the ways it has framed their literary representations of modern Black life.

What is American Islam and who are U.S. Muslims? This seminar employs lectures, discussions, and a diverse array of texts, including novels, scholarly works, films, arts, music, and much more, to respond to this question, revealing how a focus on Islam and Muslims in the U.S. produces critical counter-narratives of race, religion, and gender in the United States from the colonial era to the present.

In this class we will examine the history, function, theory and meaning of the icon. We will also examine the icon's influence upon the discourses of Modernism. A more practical aspect of this class is that participants in the course will work with the Princeton University Art Museum's icon collection and with its collection of icon painter's preparatory drawings. The class will provide participants with a broad grounding in questions pertaining to the icon.

In this class we will examine the history, function, theory and meaning of the icon. We will also examine the icon's influence upon the discourses of Modernism. A more practical aspect of this class is that participants in the course will work with the Princeton University Art Museum's icon collection and with its collection of icon painter's preparatory drawings. The class will provide participants with a broad grounding in questions pertaining to the icon.

In this course we will explore, discuss and dispute key archaeological topics pertaining to various aspects of the material multicultures of Jerusalem, from the time of Alexander the Great until its surrender to the Muslem Caliph, 'Umar. During these centuries, Jerusalem grew from a small city into "by far the most famous city, not of Judæa only, but of the East." It became the central sacred locale of the Jewish people, and the cradle of Christianity. During these times, it was twice a pagan city -Antioch in Jerusalem and Aelia Capitolina.

Before the suppression of non-Christians in Spain and Portugal after 1492, three vibrant medieval cultures inhabited the peninsula: Muslims based in Al-Andalus, Christians based in the northern Spanish kingdoms, and Sephardic Jews throughout both realms. Their coexistence transformed their visual culture in ways that resonated well beyond Iberian borders, from Atlantic colonialism to modern identity politics. This course asks how the contacts, conflicts and compromises provoked by "living with" each other shaped artistic traditions and cultural identity in a land both enriched and destabilized by its own diversity.

We are what we eat--morally as well as molecularly. So how should concerns about animals, workers, the environment, and the local inform our food choices? Can we develop viable foodways for growing populations while respecting ethnic, religious, class, and access differences? The goal of this course is not to prescribe answers to these questions, but to give students the tools required to reflect on them effectively. These tools include a knowledge of the main ethical theories in philosophy, and a grasp of key empirical issues regarding food production, distribution, and disposal. Includes guest lectures, instructor-led small-group sessions.

This course will be a critical examination of a method known as Perfect Being Theology. Most associated with Anselm of Canterbury, Perfect Being Theology attempts to determine the attributes of a divine being from the supposition of its absolute perfection. Common in all of the Abrahamic faiths, it is increasingly popular among philosophers of religion. The course asks questions: what kinds of inference do practitioners of perfect being theology make? What presuppositions underlie the method, and do they face challenges from the facts of religious diversity? Are there alternative theological methods that have been overlooked or ignored?

Most often seen in opposition, Greco-Roman Classical culture and Christianity have a long history of reciprocal reliance. Neither would look as it does today without the other. Through readings and discussion of both Classical and Christian texts, as well as art and architecture, this course will inquire into the Classical roots of much Christian theology, ethics, cosmology, and values more broadly, while also considering the effect on Classics as a cultural cornerstone of societies beholden to these twin traditions.

What was/is Roman religion? Our main focus in this course will be the nature, variety, and geographic range of the source material for religious practice in the Mediterranean world of the Roman Republic and Empire (6th c. BCE-5th c. CE). We'll examine how, and with what repercussions, Roman religion set the terms for and changed in response to Rome's expansion into a Mediterranean empire. Finally, we'll think about the place of "Roman religion" in the global history of religion, and the usefulness of the term "religion" to characterize how the Romans related to their gods.

This course explores the relationship between culture, history, religion, and ethics in global Jewish experience from the Bible to the present. Following representations of themes such as sexuality, suffering, and mysticism, we'll debate the boundaries between religion and culture and see how ethical questions play out in cultural forms. How does Jewish law, ritual, and custom inform Jewish culture, and how does culture sometimes push back against religious norms? Topics include Bible and Talmud, kabbalah, sexuality, Yiddish, Arab Jews, Zionism, Jewish music, food, literature, cinema, and comics. No background required; readings in English.